Tribute to the beauty and voluptuousness of the male ass. With its mysteries and secrets, which invite to the pleasure and the union of the flesh. Rappers rap about it. Sculptors sculpt it. Now Sebastian Moreno paints about it. Oh, how the world loves butt, in songs, in writting, and paintings. A collection dedicated to the male butt lovers celebrate the beauty of the male buttocks—by probing deep into our passion for gluteus maximus, by exploring what it is about butt that sets fire to our sexual desire, by bearing their souls in daring images, and true erotic creations by Sebastian Moreno. Featuring paintings and drawings that celebrates smooth butt, hairy butt, jock butt, bear butt, black butt, white butt, Latino butt, exotic butt, straight butt, bodybuilder butt, bubble butt and the list goes on and on. Images you’ll want to bury your face in. Explore the paintings of men for those who love their lover’s buns as much as their own souls, men whose love of butt takes them places they never dreamed of, men who will do anything and everything for that round mound of anatomy like no other. Acrilycs and oils on paper or canvas. 2022 Originals and reproductios for sale www.sebstianmc.com/butts

Most people find the idea of ​​phallic worship ridiculous in our modern society. However, male fixation on the virile member, its power, size or sexual functions still persists. The representations that have been made since the Neolithic of a man with a large phallus cannot be overlooked. The figure is none other than the Giant of Cerne Abbas, or the ithyphallic Hermes. We have seen it in pagan art around the world. Obviously, it's not just an "abstract man with a ridiculously huge penis." This must be symbolic. Why else would this image, and that of the penis in the abstract, be repeated with such frequency and ubiquity? Evidently, this act of creating magical symbols has been designed over time to undermine the authority of the power possessed by the object, in this case an artifact of the hated educational system, of notably Christian institutions that insist on restricting pagan and animal impulses. Of the youngs. Pagan phallicism expresses a challenge to the ruling Christian power structure. A naive stick figure, brandishing an impossibly large phallus, is the key image in the cult's iconography. The figure, who we shall refer to as 'Penis Man', does not only appear on objects representing the established Christian state, such as textbooks (tools of Christian indoctrination) and walls (artificial barriers imposed by the State that divide man from his neighbour). It also appears in profusion on the walls of public lavatories. This is not, as one might think, mere scatology. Public lavatories, like the bath-houses of Russia, are magical places. In our society, they are one of the few 'men's lodges' still in existence. We should therefore not be surprised to find the cult's adherents celebrating their deity, Penis Man, on the walls of his temple. Indeed, the public lavatory is also home to another rite, which is certainly associated with Paganism and the pre-Christian era; we refer here to the 'unmentionable vice of the Greeks', namely homosexuality. Penis Man appears amid numerous affirmations of tribal loyalty and defiance (FUCK OFF MAN UTD SHIT) and collective ritual disparagement of the women of other clans (HOLLY IS A SLAG. TRUE). We can thus posit a fervent, underground movement, composed mainly of young men whose initiation ceremony undoubtely involves homosexual acts (whether this is in the young man's nature or not, being 'man enough' to endure them is part of the cult's ethos) which has survived from the earliest days of Paganism. We cannot tell whether Penis Man represents Herne, Dagda, Cernunnos or any such deity; but we do know that he must represent one of them. The notion of pagan continuity, of an inherited tradition of secret pagan worship, is often scoffed at. Those who have seen the crude, shocking and yet unarguably authentic figure of Penis Man will have to rethink their conclusions and maybe, just maybe, ponder their own prejudices.

Throughout my career, some themes have taken different forms, colors and have been translated into images that denote feelings and sensations, sometimes conflicting or not very easy to define. Because this is our life and this is how the moments we live are. In love, especially, we can go through different stages, from sleep, desire, falling in love, the harmony of daily life or its excessive daily life. That is why I wanted to share with you these dialogues between my works from different creative and vital stages. Here I present a work from 1994 and how the same theme acquires different nuances throughout my life and artistic history: In this painting from my first pictorial series, I wanted to represent the sensations and feelings that I was experiencing at that time when I was far from my family and suffering from the sometimes evasive love of someone who shared a bed with me at that time, sometimes when he was right. In this other painting I represent my sensations when living as a couple and like all the evil that happened outside our home, it would stay there, without affecting us. In this art work I talk about the best and worst moments that are experienced in a gay couple. Here I talk about how couples somehow have an omen about future relationships. Of loves gone that are still there or of loves that one day may be again. Sometimes couples must experience separations that make them live their loneliness in the midst of the desire for a reunion that does not always come. Care is essential in a couple. Lovers drink their mouths. The satisfaction of living loved ones is unmatched.

Sinfonia de soledades 2011 ©Sebastian.M.C Rescate amigo Pasiones por venir Perverso prisionero Ojos que no ven Melancolica liquidez Deseos varados Promesa de vuelo Sentidos contrapuestos Devocion fraternal Ofrenda sustancial La cargas de esta vida Al resguardo del temporal Estanques superables Desnudandote los deseos Llamandole amor Sinfonia de Soledades Tierra de desesperacion Contacto Vital

Imágenes en tránsito. 2007-2008 ©Sebastian.M.C Sebastian Moreno 2007 Placer liquido 19x27.jpg El Principito y el Mar Oleo/tela 55x33 cms. 2007 Hagase tuvoluntad Oleo/tela 40x40 cms. 2007 Amor con Pena Oleo/tela 55x33 cm 2008 Amores en paz Oleo/tela 2008 Danza del sol Oleo/tela 2008 Distancia emocional Oleo/tela 2008 Te llame con el viento

Rutas de Vuelo ©Sebastian.M.C Santidad en llamas Oleo/papel Oil/paper 2002 Sueño en espiral Oleo/tela Oil/canvas 2002 Al libre vuelo Oleo/tela Oil/canvas 2002 Colecc. Particular España Comando alado Oleo/tela Oil/canvas 2002 Colecc. Particular USA Extension vital Oleo/papel Oil/paper 2002 Cielo derretido Oleo/tela Oil/canvas 2002 Colecc. Particular USA Angel solo Oleo/tela Oil/canvas 2002 Colecc. Particular USA Atmosfera cero Oleo/tela Oil/canvas 2002 Colecc. Particular USA Aliento suspendido Oleo/tela Oil/canvas 2002 Ansia de alas.jpg Oleo/tela Oil/canvas 2002 Rutas de vuelo Oleo/tela Oil/canvas 2002 Cielo rojo sobre Europa Oleo/tela Oil/canvas 20022 Colecc. Particular Alemania Tradicion oral Oleo/tela Oil/canvas 2002 Sueño en camino Oleo/tela Oil/canvas 2002 Extension vital 2 Oleo/papel Oil/paper 2002 Soledad direccional Oleo/papel Oil/paper 2002 Colecc. Particular USA Cronometro cero Oleo/tela Oil/canvas 2002 Encontrados Oleo/tela Oil/canvas 2002 Colecc. Particular USA Segundo inviern Oleo/tela Oil/canvas 2002 Colecc. Particular Paris Ruta celeste Acrilico/papel Acrilyc/paper 2002 Suenio en vuelo Oleo/tela Oil/canvas 2002 Colecc. Particular España Permanencia lineal Oleo/papel Oil/paper 2002 Largo alcance presentido Oleo/tela Oil/canvas 2002 Colecc Particular USA Horizonte vulnerado Oleo/tela Oil/canvas 2002 Entre descendientes Oleo/tela Oil/canvas 2002 Colecc. Particular Mexico El buen ladron Oleo/tela Oil/canvas 2001 Colecc. Particular Mexico Abrazo esperado Oleo/tela Oil/canvas 2002 Contendiente distanciado Oleo/tela Oil/canvas 2002 Colecc. Particular USA Fiesta mexicana Oleo/tela Oil/canvas 2002